Lately, I've been taking another crack at Excluded before it re-releases (hopefully) by the end of this year. By another crack I mean editing and redrafting a bit, by which I mean a chore I try to put off a little more often than I'd care to admit.
Sometimes my excuses are quite wild; sometimes I blame another book.
That's the case with this blog. Don't consider it so much as a form procrastination as much as a productive way to step aside from Excluded and look at some of the other horror elements I've come up with since the novel.
In this case, I reviewed some drafts of Ashland's Asylum as well as an older post called 6 Insane Cures for Insanity.
Although I'm reviewing some of the treatments from the previous post, to see what makes for an intense scene or two in the book, I can't help but continue diving into the other bizarre methods doctors once used to "rid" their patients of various psychological ailments. As always, feel free to let me know if one of these treatments deserves to be in the novel.
At the end of last month, I reviewed 5 of the deadliest makeshift weapons I came across as I worked on Excluded & Ashland's Asylum. However, I felt I dwelled too much on (the questionably ingenious) prison-escape weapons and not enough on the everyday items people have used in the desperate name of survival. For the most part, this entry is that: 5 Deadly Everyday Weapons Used in Desperation.
JUST TUNING (BACK) IN?
START OFF WITH THE 1ST THREE INSTALLMENTS
But it sure is a lot to me!
You're already getting the free story in 2014, but I've challenged my self as a sort of early New Year's Resolution.
With that in mind, I'm working on a novel in stories called Ashland's Asylum, which takes place almost twenty years after the end of "No-Injury Policy."
Find out about my new book and more in the newest entry in The Forbidden Blog. Also make sure to check around the site periodically, as things are getting better.
Prizes will include
- Four $50 gift certificates (two for Wild Child and two for Freya's Bower)
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- Four handmade, crochet coasters by Kit Wylde
- An autographed copy of Rosemary and Rue by Seanan McGuire
- A rare DVD copy of the Matheson/Furst classic "Up The Creek" (lovingly used)
- One ebook copy of Nita Wick’s short story, The Dream (previously published as part of a Freya’s Bower anthology.)
- Book trading cards
- Signed Dangerous Waters poster
- copy of "Battle for Blood: The Blood Feud"
- the winner’s name as a character in Kissa Starling’s next sweet romance story.
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Please visit these sites for more chances to win, the more you visit the more chances you have to win. We have 46 participating authors. You can stop at as many or as little blogs as you wish. At each stop, you will find two chances to enter per blog to win some awesome prizes. If you visit all, that’s 92 chances to win! There will be five, lucky winners.
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One-Way Streets & The Hybrid Writer.
With that in mind, I was furious and than impressed by this article by Rob W. Hart on Salon.com.
Hart seems to hold a mutual viewpoint of the many publishing media. He traditionally publishes his manuscripts, while some of the smaller ones that don't fit into a specific commercial market, he reserves those for self-publishing. He considers himself a "hybrid writer."
Although I think the term is a bit inflated, I fall into the category. For instance, many of my works involved signatures, but then there's No-Injury Policy which has been fairly successful since its release in October 2012.
The short story collection might found some sort of accreditation in the traditional market, but I knew a book of its nature wasn't expected to be a bestseller. However, it is a collection of stories I believe many people will find--or already have found--interesting.
There's just not real a demand for short story collections in the general markets, especially a work like #NIP that crosses between genre fiction and not.
See why I say horror literature will always trump film. Let me know if you agree.
While these a just a few pictures for now, keep tuned in to the blog for later updates on the hand-bound books. Next time, I'll show you better quality images of the finished product as well as some snippets of how I made the books.
Of course, you can always request one here. Mind you, these can take awhile to produce. Intuitively, you might think the construction time causes the slight delay. However, it's actually procuring all of the materials. For instance, I travel to find a suitable book cloth for the hand-bounds, some of which is only carried in limited quantities.
At any rate, check out the mid-stage of the hand-binding process.
The Biggest Giveaway I've Ever Done.
Naturally, we wanted to give away copies of Somewhere in the Shadows. Instead, we thought it would be a lot cooler to have a competition.
This contest is akin to an arcade game: Certain accomplishments reward in more tickets than others. Score the most points, and you'll win nearly every book published by every author.
In other words, if you win, you might need to either buy a new bookshelf or expand your eReader's memory. I, alone, am handing out free paperbacks copies of No-Injury Policy and eBook copies of both #NIP & Excluded.
Pretty good deal, right? Here's how you play:
You pick a task. Each task is awarded a different amount of tickets. Say you do something on twitter, you just copy & paste the link into the box. If you visit a website, you copy & paste that link into the box.
You read this blog.
Click on the tab for my website.
Copy this link: http://bit.ly/11tI4vI
Paste it in the box.
Boom! The machine is spitting out tickets.
Win a Small Library of Books!
If you're a boss, you'll win a copy of every book in the contest.
If you're a middleman, you'll win a book of your choice and an eBook of Somewhere in the Shadows.
If you're the muscle, you might squeeze your way into third place, which is a copy of the anthology.
What's cool is you already qualify for 2 tickets. Copy the link of this page into the tab for visiting cmhumphries.com!
And so was I. Everything's fine and the car checked out. The bad part is, I was supposed to work this morning. No matter what I do in life, if I agreed or am scheduled to appear, I do.
Since I'm reluctant to let this day of productivity go to waste, I think I'm going to start up a blog story. Between the threat of armageddon that never flourished and the man-we-thought-this-was-going-to-be-bad-but-not-this-bad weather, I found inspiration.
I don't know what this going to be, but it's going to be something. If you want to write one of the sections, just hit me up.
Otherwise, here we go . . .
Trangressive fiction started with prose that was often banned or chastised for being too obscene, too vulgar, or just too close to home. These stories brought the social struggles of their times into an honest - admittedly sometimes dark - portrayal. Some people go to the extreme, while others might just rip on consumerism.
The thing about transgressive fiction is that's it's about what's right. Here are 3 points to consider if you ever find yourself bored in a Barnes & Noble and want to count the trangressive writers throughout the entire store.
He's worked with multiple aspects of publishing, and his passion resides in producing a book from the ground up. He's also the guy who asked me to be in the short story collection.
You know that "Charlatan" thing I've been, admittedly, self-promoting like crazy as of late? That's the short story I contributed.
For now, here are the publishing-related questions and his uncensored response to them all.
C.M. Humphries (C):
How long did the entire publishing process for Somewhere in the Shadows take?
Andrew Cyrus Hudson(A):
If we're talking about the time it took to produce it, not that long. The short story, all drafts, just took an hour a day for about a week or two and the rest of the time was simply contacting people (ironically the email updates probably took the most time). However, it's not a simple matter of writing a short story and getting everyone together. It's waiting on the production to take place and for people to get back to you. So with that taken to account, I started contacting everyone December of 2011 and finally got it out December 2012, making it about a year to get it made.
C: How did you decide which authors would be in the anthology?
A: There were several different methods of figuring out which authors should be on the list. The easiest ones were my writer buddies I already knew, such as Jonathan D. Allen. All I had to do was shoot him an email asking if he'd be interested in doing an anthology (or in the case of writer buddy Andrez Bergen, he contacted me with an interest in doing it). Everyone else though, was a discovery. Marissa Farrar was an interesting find because I found her through the "also purchased" links in Drift (back when I miscategorized Drift as horror instead of thriller). But everyone else was mostly discovered through a simple process. I'd look at various followers and followers of followers on Twitter, see if they wrote in a vein close to horror, check out their site, determine if they're decent writers (as in check out their samples or bibliography and see if they can in fact write a short story), and then get into contact with them. Some indie/small pub writers who wrote big horror novels politely declined because they weren't comfortable with writing short stories (lesson learned: not every authors has written a short story or knows how to). Some authors who climbed on board backed down later due to obligations that are completely understandable. So in the end, the author list was more by chance and it ended up working out perfectly.
C: What were the overhead expenses for producing such an anthology?
A: The overhead cost of an anthology is the same for any self-published novel. Meaning that it can be as cheap or as expensive as you want. Remember that it doesn't have to cost you an arm and a leg if you do your research. But also remember that cheap people get cheap results, and you can't cut corners and rip people off if you want to have a good anthology (and be a decent human being). The total cost (mainly formatting and art) was about $120.00 all together. But as stated before, it could be a free or a few grand depending on how much of it you do yourself and who you hire.
C: What are your future plans for Somewhere in the Shadows or for other story collections?
A: I'd like to eventually get Somewhere in the Shadows in CreateSpace and Smashwords format early next year. As well as try to get it in the hands of a few more readers who aren't my friends or family before it inevitably falls off the charts. As far as other plans go..
-Somewhere in the Stars: If Somewhere in the Shadows is about horror, then the next logical progress would be science-fiction. It would be a collection of short stories having to do with either space, exploration beyond the ordinary, or other planets. I'd like to bring back all of the crew from Somewhere in the Shadows and possibly a new writer or two (I guess making an anthology is kind of like The Expendables). Although I'd have to wait until early summer before I even think about doing another anthology. Otherwise I'd burn out and go crazy.
-Collaborative Book: I always wanted to do a collaborative book. Perhaps write a novel with a fellow author or even multiple authors to see how crazy the direction would take us. Or maybe write a fictional world/town with a specific set of rules and then we'd all get to write stories set in that place.
-Writer's Faction: This is the most important thing above all. This wouldn't be like a writer's group, which is essentially a support group. This would almost be like a publisher, except that we wouldn't have to pay into it. Basically we'd help each other out. When we do promotions (e.g free book), we do it together. A larger fan-base for one writer would be a larger fan-base for all. I don't want to sound doom and gloom here but I think writers who go it alone in the digital biz are going to find it increasingly difficult as time goes on. Self-publishing doesn't have to mean alone-publishing.
C: Where can everyone find you online?
A: Everyone can find me at andrewcyrushudson.net . I'm actually starting a website all over again (long story short, GoDaddy.com now owns andrewcyrushudson.com), so apologies for the site being somewhat under construction.
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Pick up a copy today of No-Injury Policy for $1.99 less than everyone else.
Use Code: GKSTRNN4
Check my short story "Charlatan" & eight other horrific tales in Somewhere in the Shadows for just $2.99!
Visit this place.
Ask Andrew Cyrus Hudson Anything About Somewhere in the Shadows or independent & self-publishing in the comments - and earn points towards a hand-bound edition of No-Injury Policy!
No sooner than the meek taste retribution, however, they encounter the demons that have aided authority figures to the top - demons that refuse to lose control no matter what it takes.
No-Injury Policy is the 1st short story collection by C.M. Humphries, showcasing seven of the eeriest tales from every town in Chase County: Raven's Crook, Lovington, Lakeside, and Long Brooke.
Following along as I provide a snippet of each story in the collection. If there's a picture to the left of the premise, that means I blogged on a topic from the story. Be sure to check them all out.
Fear, focus, and the future. C.M. Humphries talks about writing, horror, and whatever.